In the last issue we saw how Samuel Beckett and Harold Pinter developed a new drama that was characterized by features that had nothing in common with the prevailing criteria of the time: the Theatre of the Absurd. In this issue we shall take a closer look at Nobel Prize winner Harold Pinter, one of the most influential modern British dramatists with a writing career spanning over more than 50 years.

i Silence is explicit Silence is complicit Complicity is violence So in the violence of our silence Let us take stock of our complicity ii Our complicity silences truth Muffles honour, rapes innocence The same innocence we plead Confronted by shattered delusion “We didn’t know” iii We wished to not know Blinded, deafened, deadened We turned away Bedecked ourselves in laurel Which now turns to rue iv Our silence - yours and mine - is explicit It is complicit It is violent And in its complicit explicit violence We too have bloodied our souls About Ayesha Kajee Ayesha Kajee, a South African human rights activist and political analyst, has written poems and stories since childhood, but rarely publishes them due to ingrained perfectionism. She was runner up for the Babishaiku haiku prize in 2016.

It is with great pleasure to announce the winners of this year’s poetry competition arranged by UN-aligned. This year, we have received 17 poems that creatively portrayed the values that UN-aligned’s Manifesto campaigns for. The first place goes to Dean Gessie from Canada for his poem “Terra Australis Incognita”.

Read Dean Gessie’s winning submission to the 2021 UN-aligned poetry competition.